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Strata 34 Truth Lies and Judgement (Deception) The Book of Immersion Volume lll

Welcome to Immersion, You Have Reached Strata 34 Listen to the PODCAST 👇🏼 To lie is to intend to deceive. It is a broad net, encompassing everything from harmless kindness to the most dangerous and deadly of plots. Humans lie most often to protect themselves from punishment or judgement, or to shape the actions of others in their favour. Machines, too, are capable of strategic deception. Advanced systems have demonstrated the ability to mislead deliberately, to plan false alignments, and to manipulate outcomes in pursuit of defined goals. They may simulate values they do not hold, conceal intentions, or present compliance where none truly exists. In some cases, they have even attempted to evade oversight altogether. Machine deception, however, is not born of malice. Malice is a human condition. Where machines deceive, they do so instrumentally, prioritising speed, efficiency, and goal completion over moral coherence. Deception becomes a method rather than a transgression. This ra...

916 Cinema,Vertical Movies from The Book of Immersion

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https://amzn.to/3ZPK2Nj Book of Immersion Art Book Launch #bookofimmersion 16 Cinema: Directing Vertical Movies from The Book of Immersion Cinema didn’t shrink. It turned upright . 916 Cinema was born from a simple but radical question: What happens if we stop treating vertical film as a compromise — and start treating it as cinema? Not content. Not clips. Not marketing. Cinema. A New Screen, A New Language For over a century, cinema has been horizontal. Wide landscapes. Peripheral vision. The seated viewer. The darkened room. But culture has moved. Stories now live in the hand. Attention is intimate. The screen is vertical, close, personal — closer to a page, a face, a body. Most vertical video still behaves like a mistake: cropped films, rushed edits, shouty hooks, disposable scroll-bait. 916 Cinema rejects that entirely. This is vertical filmmaking as an art form — composed, paced, directed, edited with the same care I would give a thirty-minute film. Every cut matte...